![]() ![]() That’s why the octagon appears primarily in the Homecoming facility: “We didn’t really use it anywhere else, because that’s really where everything is stemmed from - where it all goes down. “It was about starting over and what’s lost and how you can put it together again,” she said. “There’s the infinity aspect of ,” White explained, adding that the designers specifically focused on the idea of the octagon as a broken circle. Pay close attention and you’ll see octagons everywhere in the Homecoming facility: on the walls, in the cafeteria, even in its chandeliers. Esmail originally wanted Heidi’s office to be circular so there would be more freedom to shoot in the space, but White suggested an octagon because “it’s a fragmented circle, which ties into the story thematically.” In that Homecoming set, one of the first things White designed was Heidi’s office, which is shaped like an octagon - just like many other things in the show. sense that its logo prominently features two giraffes and a few flying birds. Because the message is so hidden or small, the brain does not process it, but the. In the wake of an unknown global terror, a mother must find the strength to flee with her children down a treacherous river in search of safety. If people can guess the hidden message, they get something free. ![]() If you’re an artist trying to get noticed, I highly recommend putting something like this in your songs, or at least alluding to it. “It’s sort of a mid-’80s office complex, and so the architecture and a lot of the base materials are from that time period in Florida.” Well, if you pay close attention to the negative space between the boxes. Subliminal is a hidden visual or auditory message that the brain acknowledges or perceives but does not process. Jump to Edit Summaries Five years after an ominous unseen presence drives most of society to suicide, a mother and her two children make a desperate bid to reach safety. Subliminal messages work, in the sense that they create a ton of attention and get a lot of free press. “Since so much of the show happens in the facility we didn’t want it to just be a typical office building, we wanted to give it a little bit of a texture and depth the idea behind the facility,” she said. “Our engineer was onboard with the weight of cranes on top of the set.”įrom there, White went about constructing the set and trying to find ways to make it feel tonally specific. “They had a really big crane, so we had to account for that,” White said. One key idea was to have a crane shot - seen in Homecoming’s first episode - to cover two stories of the building, which meant actually building a two-story set. Before filming began, White, Esmail, and cinematographer Tod Campbell got together for drinks in New York to discuss ideas for shooting the series.
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